LOOPER – Reviewed

When I saw the poster for this I got excited. With the two figures holding guns in different directions, and a review quote stating the film was this decade’s The Matrix, nothing was going to stop me watching it.

Unfortunately the film is nothing like The Matrix. The 1999 Wachowski brothers’ classic is a SF action thriller. In no sense of the words is Looper an action thriller. It’s more a drama with SF at the heart of the story, but virtually ignored in visual terms.

Set in the near-future, the story follows Joe (Joseph Gordon-Levitt), a looper. Loopers are assassins working for some form of mob in the future, sent back in time (30 years) to await their victims, who are also sent back through time where they do not yet exist. The murders are therefore untraceable. Every now and then a looper’s older self is sent back to be killed by his younger self 30 years before with a nice big payoff, and 30 years of freedom until they are sent back in time to be killed by their younger self. You still with me? One thing the film does do well is explain this.

So, Joe’s older self is sent back in the form of Bruce Willis, and instead of killing him, older Joe escapes and tries to survive, and to change the future by killing the person he believes will grow into the murderer of his wife and himself. Meanwhile the mob are trying to track down both Joes to kill both of them to close the loop.

The film is set in a futuristic Kansas City, which is seen only briefly. Half of the film is set on a farm in the middle of nowhere, where younger Joe holes up, awaiting older Joe, and falling in love with the lovely Emily Blunt.

The story travels a fairly predictable path, apart from the premise there is nothing new here. Visually this is more of a farm story, it only gets a bit exciting when an old looking Willis goes on the rampage, which is fun.

Despite a mostly decent story, and some good actors, the film ultimately falls flat because at two hours it’s too long, too boring, too dull. The brief moments of action and excitement are too few. The future Kansas City is barely glimpsed instead of explored, too much time is spent with no action, and when you get to the end of the film you’re just a bit glad it’s all over.

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