Wow, I’ve just finished a marathon session reading The Kultby Shaun Jeffery, which is definitely one of the best books I’ve read this year. A brutal thriller. I felt exhausted after the finale, like I’d experienced it right alongside the protagonist.
The reading part of being a writer is going well! It took my only two days to polish offThe Kult. Before that I dug deep into my book pile and got out The Gobbler by Adrian Edmondson, which was pretty good. Comedic novels aren’t my favourite genre, but it’s good to have a laugh every now and then to relieve the horror and terror that are my usual entertainments.
Before that the Eyewitness Guide to Stockholm, which is a bit of a strange one, trying to take on all these facts and marking off almost everything in the book because I want to see it when I go visit with my girlfriend next month. Woohoo! A holiday! Desperately needed, I must say.
In between the reading I managed to write one story. It’s pretty raw still, needs major editing, but I think it’s pretty good. Bit controversial. It’s about a young teenage boy who kills his thirteen year old sister by accident when playing an erotic asphyxiation game. The fact that both of them are underage I consider a problem ethically. Normally I’d steer clear of anything underage, just because it makes me feel uncomfortable. But I felt the story needed something extra to make it more… horrifying.
And then I got to thinking about what makes a horror story. Some of them make us feel disgusted, some of them make us feel pain, hurt, horror, lonely, neglect, uncomfortable… Horror is such a limited categorisation in some ways. I think the point of all art is to make the reader/viewer feel. The works that have impacted most upon me: The Lord of The Rings, Star Wars, Dracula, are the ones which had the biggest emotional impact.
So, if a story makes you feel uncomfortable, if the point is for you not to enjoy it, does that mean it works? And does that make it legitimate? Or is it just best to steer clear of controversy?
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