Stanley Riiks Interview Part 3

What other writers have influenced you?

The usual suspects: King, Barker, Koontz, Gaiman, J. K. Rowling, no surprises there. But, these guys, for me are surpasses by:

Garth Ennis who writes the best comics, brutal, violent, fun. Preacheris my favourite of his.

Gary McMahon whose Dead Bad Thingsis one of the darkest, nastiest, and filthiest novels I’ve ever read. It’s sublime. I read it years ago, and it’s still one of my favourites.

Andy Remic creates the best fantasy worlds, and inhabits them with amazing characters. And then he kills and tortures them. The blend of horror and fantasy is pure genius. He’s the only writer ever to make me physically wince while reading.

Neal Asher creates worlds I want to visit (Spatterjay), and A.I. I want to meet. SF at its best, complex plotting and great story-telling.

James A. Moore is another fantasy/horror writer who really punches you in the face with his novels. You don’t so much read them as experience them.

The only other author who deserves a special mention is Richard Kadrey and his Sandman Slim books. This series is a serious blast of adrenaline, full-octane, furiousness.

In terms of non-fiction it’s less about the writers and more about the topics, biographies on Ian Fleming, Warren Buffett, Hitler, Jenna Jameson. I read quite a range! I’m interested in how people work, and I like to know how companies and businesses work, like Apple, Amazon, WordPress.

 

What are your other influences?

I love films, I used to go to the cinema every week. I watch everything, romantic comedies, horror films and everything in between. Recently I’ve gotten bored with modern films that are just too long. I find myself bored halfway through a two-and-a-half-hour film, so we’ve started watching classics from the 90s and 2000s, like The Matrix,The Transporter, Leon.

I enjoy manga and anima, and US comic books. Particularly the darker ones like Batman, Preacher, The Sandmanand Vertigo comics.

 

Do you have any rituals or routines when you write?

I used to have a candle that I would burn, but my desk is now filled with mortgage statements and searches, so that would be a fire hazard. I just sit and type on my iMac. For non-fiction I usually need to concentrate more, but I will come back to something and add bits and pieces, expand areas in a very organic way, because I have the structure laid down. For fiction I flow more easily into the story, so it’s organic in a very different way.

 

If you could go back in time to when you started writing and give yourself one piece of advice what would it be?

Keep going. There have been times when I’ve given up, but it’s a very cathartic experience, and creating is a beautiful thing. More people should do it, not necessarily for publishing, but just for the joy of creating something from nothing but their imagination.

Also, I believe that nearly everybody has an area of expertise, and they can share that knowledge.

 

What book are you reading now?

The Soldier by Neal Asher. I’ve read a few of his, the covers are amazing. They say you can’t judge a book by its cover, but that’s how I pick them usually, and Asher had never let me down.

 

What is your proudest moment as a writer?

Seeing the cover of Think Rich, Get Rich.

 

Are you disappointed with any of your work when you look back on it?

When I edit I’m disappointed by every other word. Editing is actually something I feel quite good at, but it makes me cringe when reading my work back. Like when you record your voice and then listen to it. It doesn’t sound like that in your head. Words can’t capture the perfect of your imagination.

 

What’s next?

I’m editing the first two books in a series of erotic novels for a friend (just a slight change of direction there!). At the moment I’m happy to consume words rather than writing them for a little while longer.

 

 

https://www.amazon.co.uk/dp/B089SB6KRM

 

THE SCARLET GOSPELS By Clive Barker – Reviewed

It’s rare that I buy hardbacks, but I have quite a few of Barker’s. When I heard that the infamous Pinhead would be returning there was no way I was missing out.

Pinhead is one of the quintessential horror anti-heroes, like Jason, Michael Myers, Leatherface, Freddy Kruger, he appeared in the eighties (ok, so Michael and Leatherface led the way in the seventies) when I was approaching my teens and basically robbed me of my childhood sleep and left indelible memories of terror that I still have today. Exciting recollections of terror that instilled my on-going love of all things horror.

Pinhead was the only character to actually originate in a book, one of Barker’s Books of Blood, which was a series of collected stories that really didn’t impress me at the time, but introduced the world to splatterpunk. The books were a gore-fest.

The story was adapted into a film, very loosely based on the original story. Barker wrote and directed a film that was already a classic by the time I saw it. When I did watch it I was underwhelmed, but the Chinese puzzle box and that vision of the lead Cenobite and his symmetrical “pin-head” stayed with me, and the violence and nastiness was impressive.

Here again, Barker impresses.

The first four chapters, before Book One starts, are one of the greatest character introductions in modern horror. A group of magicians is holding a meeting to discuss the rapid decimation of their kind, and call upon the ghost of one of their recently murdered number. But the meeting is interrupted by chains and hooks and the infamous Cenobite, known as Pinhead, who has been slowly tracking down and killing every magician in the world.

What ensues is, as you would expect, horrifying, terrifying, and exactly the kind of start to a Barker book that gets a horror fan excited.

Then things go normal very briefly, as Norma, a blind woman who talks to the dead, and her friend Harry D’Amour (private investigator) do a job for a dead man that ends up with Norma being kidnapped and Harry following her and Pinhead into Hell as the Cenobite sets out to kill Lucifer. I said very briefly!

It’s a bit of a strange one this. The best part of the book is the beginning, after that the mystic of the Cenebite begins to fall apart, despite his perversions and evilness being just as bad down in hell. You kind of get numb to it as he’s doing all his evil doings to demons, so there’s little sympathy. His treatment of Norma, a nice old lady, is pretty horrible and as times quite startling. Barker isn’t afraid to hurt his characters or his readers.

The ending is a bit strange, not really satisfying all that has gone on before.

But this is the return of Pinhead, and a nasty and deliciously twisted return it is.

Barker is back, returning to create a world of horror (hell) and then sending in a terrifying creature of chaos in the form of Pinhead to destroy it.

Good, nasty fun. Pinhead returns!

KILL CITY BLUES By Richard Kadrey – Reviewed

This is the fifth book in the Sandman Slim series, and a bloody good series it is. James Stark is Sandman Slim, a man sent to hell by a former friend and forced to fight demons in an arena. He eventually fights his way out of hell and ends up in LA where his chronicled adventures begin with the first book in the series.

With book five we have more of the same, and this is a great jumping on point if you really can’t manage to get the first four books. The background is explained and all that’s gone before is briefly detailed here, giving those who have forgone the previous books (don’t so it, you’re missing out on the most remarkable series of books, start at the bloody beginning!) enough of the backstory that everything falls nicely into place.

In this book Stark is searching for the mysterious 8 Ball, a god-killing weapon that has fallen into the hands of the god-murdering angel and Stark’s personal nemesis Aelita. With his rag-tag bunch of friends, including an ex-communicated priest, a Jade (vampire-like creature), an immortal Frenchman and a robot, he heads deep into Kill City, a former shopping centre and now hellhole. Throw in God with a personality disorder, Satan being an angel again, crazy old world gods intent on eating the world, a messed up hell in the midst of a make-over, and a whole mess of other stuff and you have the fifth Sandman Slim novel.

Kadrey’s in-you-face-style and never-let up pace make for exciting and non-stop reading. This is a freight train of a book and you just won’t want to get off. The misadventures of our anti-hero are riveting, with Kadrey unafraid to put him and his crew in various dangers.

The new paperback format has a filmic slant, which is echoed in the film references made throughout the books, and the film-like quality of the series: think Quintin Tarantino doing a Dennis Wheatley adaptation on acid, or an early John Woo (The Killer) and early Tobe Hooper (Texas Chainsaw Massacre) collaborating on the most epic B-movie of all time, and you’ll get the idea.

The Sandman Slim books really have to be read to be believed, no matter how much hyperbole I use to describe them it won’t do the books justice. They are awesome in a world of mundaneity.  You have not lived if you haven’t read a Kadrey novel.

Morpheus Tales Supplement Out Now!

The latest issue of the FREE Morpheus Tales Supplement is out now! It’s got an exclusive interview with Dan Abnett (Horus Heresy and 40K Legend!) and Nik Vincent, loads of articles and columns from the usual crew (marvellous!), and a load of book and film reviews including some from me (which are fabulous, obviously!).

http://issuu.com/morpheustales/docs/mt25reviews

Morpheus Tales 23 Supplement is OUT NOW!

Finally it’s here! Months in the making, even longer in the writing, but the review supplement is out now! Featuring author interviews, some amazing articles and columns, and a whole heap of great reviews (some written by yours truly!), it’s 44 pages of horror, sf, and fantasy non-fiction and it’s all for you, and it’s all free!

Go get yourself a copy:

http://issuu.com/morpheustales/docs/23reviews

It’s great, it’s free, what more could you want?

January Issue – Morpheus Tales Supplement

Been so busy working and reviewing for the next issue of the Morpheus Tales Supplement that I haven’t even had time to write a blog! There’s more still to come, but here’s a good idea of what will be contained in those hallowed pages…

MARAUDER By Gary Gibson
THE LORDS OF SALEM
Ramblings of a Tattooed Head By Simon Marshall-Jones
DREAM LONDON By Tony Ballantyne
THE MAMMOTH BOOK OF BEST NEW HORROR 24 Edited By Stephen Jones
MEAT By Joseph D’Lacey
GARBAGE MAN By Joseph D’Lacey
SHADES OF MILK AND HONEY By Mary Robinette Kowal
DRAKENFELD By Mark Charon Newton
SHAME THE DEVIL By Michael Lejeune
A BRIEF GUIDE TO GHOST HUNTING By Dr Leo Ruickbie
KNIGHT OF SHADOWS By Toby Venables
The Most-Visited Grave in Swan Point Cemetery By Hunter Welles
DEEP STORM By Lincoln Child
FROM THE FATHERLAND, WITH LOVE By Ryu Marakami
THE EIDOLON By Libby McGugan
THE CONJURING (2013)
DARK SKIES (2013)
JOYLAND By Stephen King
SPLATTERLANDS: REAWAKENING THE SPLATTERPUNK REVOLUTION By Various
ABRAHAM LINCOLN VS ZOMBIES (2012)
World War Z (2013)
THE WITCH’S DAUGHTER By Paula Brackston
THE WINTER WITCH By Paula Brackston
TIGER’S CLAW By Dale Brown
PLASTIC JESUS By Wayne Simmons
THE EMPEROR’S BLADES By Brian Staveley
BOUNTY KILLER
THE IRON WOLVES By Andy Remic

The FREE Morpheus Tales Supplement will be out in January… You can read and download the current and previous issues from the Morpheus Tales website: www.morpheustales.com

 

GARBAGE MAN By Joseph D’Lacey – Reviewed

A year after the miracle of horror that was MEAT, D’Lacey was back with a new novel and I had to read it. Garbage Man was a very different book, but it had that same raw intensity, it had that same passion and an underlining ecological theme. For his second book D’Lacey goes all B-Movie on us and brings us a powerful vision of a future corrupted by humanity and the toxic results! My original review is below:

This book is absurd. It’s ridiculous. And it’s bloody marvellous!

In D’Lacey’s debut novel MEAT he teased us in, providing a stark, gritty realism to draw us into his world, and then slamming us face first into the dark, depraved heart of his brutal, unforgiving, twisted reality.

Well, he’s back!

Shreve is a small mid-England town, a normal enough town with a normal enough set of individuals populating it. Shreve is also home to one of the largest landfill sites in the UK.

The populants of the town are Shreve are a varied bunch, there’s the Smithfields, their son Donald, a young paperboy having sex with one of his married neighbours, and Aggie, the wannabe model and teenage temptress. There’s Miss Ahern the nosey neighbour and religious nut. There’s Kevin and Tamsin, the married couple on the verge of breaking up. Ray and Jenny, two students whose relationship has run it’s course and who may find happiness in the arms of that married couple. And then there’s Delilah, an Earthy goth chick. And Mason Brand, former star photographer and now caretaker of one of the strangest creatures to ever grace the printed page…

In a superbly Frankenstein-esque moment during a lightning storm several piles of rubbish from the landfill awaken into creatures. But only one of the creatures survives as Mason finds it and starts feeding it, with his own blood. The creature, made of rubbish, feeds and grows. This truly gives a new meaning to recycling, as the creature consumes everything given to it, or it can take, and uses it to heal itself, to upgrade itself. It’s like a Transformer made of rubbish and when it eventually feeds on an entire human it starts to get the taste and realises that it shouldn’t be alone, it should be the commander of a massive army of other garbage creatures, and so it sets its army on a path of destruction that will change Shreve and the world forever.

This really shouldn’t work. It’s too ridiculous, except that it’s not. This does work, and it works well. The town of Shreve is set up very realistically, and the characters and their bad habits are all presented to us well before the actual horror starts. And when the horror does kick in it’s hard and fast and furious.

Not only does D’Lacey provide his knack for brutal realism, he creates a creature you care about almost as much as the other characters. The Garbage Man, although certainly a villain, is also something of a hero, and at the end you can’t help but feel a certain empathy with him in an almost King Kong moment.

The final ending is even harsher and more brutal than the attack of the garbage men and deserves mention as one of the spookiest endings I’ve read in a long time, one that will not only leave you pondering the sheer wretchedness of it all, but leaving you aching for more. The last few chapters show us the true power that D’Lacey can unleash.

It’s not a perfect package by any means, our ensemble cast provide little in the way of emotional involvement. The best character is Delilah and she doesn’t appear until the book is halfway through. And Aggie’s adventures in London are cut far too short, and probably could have been quite a decent book on their own.

D’Lacey’s tendency to use pertinent socio-political themes doesn’t detract from the entertainment, it enhances it. You cannot help but smile at the clear message, whilst enjoying the bloodlust and nastiness that D’Lacey uses to such great effect. A bloodlust and nastiness that is akin to Jack Ketchum’s brutality and is highly entertainment for the horror connoisseur.

Garbage Man is ridiculous, but in a good way. It is the skill and subtlety with which D’Lacey tells the story that raises this so far above beyond the ridiculous.

This is what horror should be like, no-holds-barred brutality, nastiness in an action-packed package.

www.oaktreepress.co.uk

MEAT By Joseph D’Lacey – Reviewed

I originally read MEAT in 2008, it was the first novel by an unknown (to me) writer named D’Lacey. I was actually shocked, shocked, by one scene. I’d never been shocked before, and having read horror for twenty-odd years I didn’t expect to be shocked. I was surprised to be shocked (of course since then I’d read Gary McMahon and Andy Remic!).

I enjoyed MEAT immensely, and have been a fan of D’Lacey ever since, he is a story teller with an agenda, but he never lets that get in the way of a good story. MEAT is being re-released by Oak Tree Press and it’s about damn time. If you want to read a scary book then you need to read this one, it’s sheer brutality is a joy to behold. It’s shocking in a way that very few books can ever be. This is D’Lacey at his brutal best, the original review and I stand by it. Read this book people, read it now!

It’s very difficult to review a book without giving away the basic premise, but I’m going to have to try because it’s such a good surprise that I really don’t want to spoil it for you.

But you should read this book, and you should find out what the surprise is for yourself.

I devoured it in three days, and had to chuck my girlfriend out of the flat so that she would not distract me. And she’s a pretty nice distraction!

Richard Shanti works at Magnus Meat Processing, a huge slaughterhouse that provides all the meat, and through methane processing, the power for the town of Abryne. He’s known as The Ice Pick and he’s MMP’s top stunner, the man who puts the bolt into the brain of the cattle. But Richard starts to think that something is wrong at MMP, something very wrong.

There are various other strands to the plot, including a mad, half-starved prophet intent on ruining MMP whatever the costs, someone trying to find out the truth about the Ice Pick, Magnus himself protecting his monopoly at any cost.

This is so much more than a horror novel, although it contains one of the most horrifying scenes I’ve ever read, and I’m a veteran of the splatterpunk era and video nasties. It’s at once, a horror, science fiction, and morality tale.

Brutal and tender at the same time, MEAT is a highly accomplished first novel from an author who shows a lot of promise.

www.oaktreepress.co.uk

Morpheus Tales #22 Supplement – Out Now!

Do I need to say more…

http://issuu.com/morpheustales/docs/22_reviews_supplement

Probably not, but I will anyway. This is the reason I haven’t posted any reviews in the last couple of weeks! This is massive, and I put in a lot of blood, sweat and tears to make this huge magazine (which is free by the way!) for you. Yes, for you! More author interviews than you can shake a stick at, so many reviews I can’t even remember writing some of them! Here’s an idea of what’s in store for you when you read it, and you must, you must read it, you must you must!

67 pages of genre non-fiction, including author interviews with Richard Kadrey, Jay Posey, Joseph D’Lacey, Eric S. Brown, Richard Farren Barber, James A. Moore, Scream Queen Heather Dorff, and Scares That Care’s Joe Ripple. Plus, Jim Lesniak offers opinions From The Catacombs, Edward Drake on The Warrior’s Journey, Simon Marshall-Jones offers his Ramblings of a Tattooed Head column, plus loads of horror, sf and fantasy film and book reviews!

http://issuu.com/morpheustales/docs/22_reviews_supplement

A free magazine you say? What more could you possibly ask for!

SOUL MASQUE By Terry Grimwood – Reviewed

Printed with the kind permissions of Morpheus Tales Publishing.

Confused. Having read this it’s clear this is an ambitious story, but I learnt almost as much about what was happening from the back cover description as I did from the contents of this limited-edition chapbook. That’s not to say I didn’t enjoy it; Grimwood writes in a way that makes you want to read more, he makes you want to know more, about the characters and the strange world he creates. But I think he needs more space to work, a story double the length may have made a lot more sense.

Soul Masque is about the battle of good against evil, that age- old tale, but looked at through a brief period in the lives of four flawed and failing characters, when things all come to a head: a woman with cancer held in check by her allegiance to religion, a preacher addicted to drugs, a dominatrix with an angel as a client, a man who must kill to survive…

The more I think about the story the more layers I think I find. The struggle for faith, the struggle to live, dealing with death in its many forms, the very concept of good and evil; there’s a hell of a lot going on here in these 30 pages.

This is a very different book from the Spectral Chapbooks published before this, and yet it sits right at home within them as well. It’s challenging, intelligent, and wholly original. Although it’s not as creepy as Gary McMahon’s effort, or as gory and bloodthirsty as Paul Finch’s, this is horror at its most morally ambiguous.

It is a sad tale of brutality, of abuse, of disease, slaughter, madness, and faith. It is as frustrating as it is enjoyable, leaving the readers with a slightly bitter taste in their mouths like they’ve just had arsenic. A lingering sense of unease and discomfort remains after putting the story down. Grimwood achieves his desired effect of making us think far beyond the story he’s put down on paper. This is a very very clever little book.

Spectral Press again shows why they are at the top of the UK’s small presses.

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