ORBUS By Neal Asher – Reviewed

This is the third book in the Spatterjay series, although this one doesn’t take place on the galactic version of Australia (ie the most dangerous planet in the universe!). If you’ve read the other books in the series you will know that Orbus is one of the old captains, the rulers of Spatterjay, a virtually immortal group of Captains who sail the leech-infested seas. But after the events of the second book, Orbus is happy to head off-planet, and takes a cargo ship travelling to a place known as the Graveyard, a no-man’s land between the Polity (human) empire and the Prador empire. And everything is going fine with this routine pick-up until a couple of war drones stow away on Orbus’ cargo vessel, a rebel Prador attacks at the pick-up, a civil war starts in the Prador empire, and a mythological nightmare creature proves to be very much real and alive…

Asher write SF with a good amount of action, with some of the characters already set up in previous books he has a chance to let rip without having to explain who and what they are. His books always contain great details that make them seem more real, and Orbus is no exception.

The different setting makes this barely a Spatteray novel, but the characters are what connect it to the other books in the series. This one works well enough by itself, but there’s a lot of history and backstory you would miss out on if you skipped the first two books.

The exciting SF adventure continues. The Spatterjay series is remarkable and unique. This slight change of direction for the series works well, bringing in a new environment, and further developing the  interesting characters, particularly the war drone Sniper.  I’ll be coming back for more in the fourth book in the series. The story of Spatterjay rocks!

CONTROL POINT By Myke Cole – Reviewed

Oscar Britton is an army officer, and when he and his team are called to deal with a prohibited latent, they have a hell of a time. A latent is a person who develops magical powers. Certain magical powers are prohibited as too dangerous. One of Britton’s men is half killed by fire demons, and two teenage latents are shot dead, a school is burned, and Oscar has an argument with a sorcerer.

A few hours later Oscar has a latent episode, finding himself on the other side of the law. Knowing he has a prohibited magical power (opening wormhole-like gates) he goes on the run.

What follows is actually even more exciting and action packed than the beginning. As Oscar is “recruited” as a contractor for the army, and must face the tough challenges of learning to control his power on the front-line of a war with goblin-like creatures.

This doesn’t really have a slew of original ideas, but it’s put together very well, creating that newness and excitement. The military and magic are juxtaposed, and Oscar and his team work together to discover their powers and use them for good, despite the military’s view of them as weapons.

The book is a cross between Harry Potter and Stripes, or Biloxi Blues. The unique mix of military and magic makes this book. There is a little too much concentration on Oscar’s struggle to deal with his new power and his manipulation by the military, but that serves its own purpose and works within the context of the story. A kind of coming-of-age tale, using all the best bits of a military story, but a little fantasy thrown in for good measure. You can’t help but love little Marty, the goblin. There is plenty of action to speed things along.

Intelligent, exciting, pulse-racing and action packed. Full-on magical military mayhem.

THE PAINTED MAN By Peter V. Brett – Reviewed

I’ve been really getting into fast-paced, action packed SF recently, so it was a nice change to take on the more sedate pace of fantasy. Before I go any further I have to say I spent a great 544 pages with this book, this is the first book in a series that’s going to be absolutely epic. Almost the entire first book is an introduction, building up the three main characters of Arlan, Rojer, and Leesha as they grow from childhood to adulthood, dealing with their various separate dramas and are brought together (late in the book) by circumstance. You see the world they live in lives in fear of the dark. When the sun sets corelings (demons) come out of the earth and eat and kill humans, and have done for the past three hundred years. Only wards (ancient writing) learnt only by a precious few can be used to protect them, and only then if the wards are perfect. Any imperfection will be found by the demons.

The world in which the story is set is a tired, dangerous place, humans have mostly given up fighting, instead prepared to hide and live a small, simple life, without travel, without night, and with danger just outside their warded walls and doors. There’s so much to the world that Brett has created that it would take more space than we have here to describe it all, suffice to say, it is brilliantly realised, with a nicely tied-in religion, a wide range of characters, and purposeful travel throughout the known lands to give us a nice guide tour, with much opportunity for expansion.

The only problem is that most of the book feels like an introduction or prologue. We don’t get to meet the Painted Man, as such, of the title until near the end of the book. There’s so much information on the characters that they do stick with you, but at what cost? There’s some action, and the final battle is great, but it takes it’s time to get there.

This is a difficult book to review alone, as it’s obviously not meant to be read individually. This is most definitely the first part of a mammoth series, which will no doubt be spectacularly entertaining and brilliant, but without the next book it’s so difficult to tell. A very good first instalment in the series, but I find myself reserving judgement until more titles in the series are available, although I will definitely be ordering the second book in the series very soon. (The cliff-hanger ending is ridiculously exciting!)

FLU By Wayne Simmons – Reviewed

A few years ago zombie novels were like gold-dust. Now they’re ten a penny. Most are bog standard zombie rehashes, offering nothing new. The king of zombie fiction is Brian Keene, whose zombie novels create a sense of undeniable dread and looming, unstoppable danger. So the question is, does Simmons have anything to offer, and can be usurp the king?

Sadly the answer is both yes and no.

Flu is a post-apocalyptic zombie novel, focusing on the further spread of the disease which kills and then brings you back, and the few survivors in Belfast as they try to stay alive as long as possible, seeking out supplies, grouping together with other non-dead humans, and having to deal with the dead-fucks. The story uses sectarian issues and guilt, police, army and civilian survivors in a nice mix, which gives the book its edge.

This isn’t The Walking Dead rehashed in Belfast. Although there are clear homages to Romero’s trilogy and other zombie movies.

The story has some brutal and some disgusting moments, which help take it beyond the average, but what really put this book ahead of most of the rest is Simmons easy and efficient writing style (polished to within an inch of its life), and his characters, all of which suffer their own personal demons they have to battle along with the zombies. The humans really are the heroes of this novel, a tough sell, but one that works in this case.

The UK is bereft of zombie novels, the only decent one I can remember is the composite novel created by Stephen Jones and loads of others, Zombie Apocalypse, the exceptional London-based zombie novel told ingeniously in a series of documents.

While Flu isn’t an inventive as Jones’ effort, it still works very well and is a massively satisfying zombie novel that creates a dead world you want to explore further, and leaves enough questions for us to want to read the sequel, Fever, coming in the summer. And Flu definitely shows Simmons’ massive potential to become Great Britain’s crown prince of zombie fiction.

Not perfect, but a damn good try. Zombie fans will love it, horror fans will love it. Simmons writes like a demon, smooth and dangerous. Zombie fiction with an edge.