ODD HOURS By Dean Koontz – Reviewed

The fourth book in the Odd Thomas series see our hero in Magic Beach. Just a short time after his adventures at the monastery (see Brother Odd), Odd is working for a retired film actor and heads towards the pier where he meets up with a strange young pregnant woman. The pair encounter a menacing group of men, Odd ends up in the sea fighting for his life, and he is the witness and only one who can stop, a massive terrorist conspiracy to nuke major cities in America…

Odd’s special powers, being able to talk to ghosts and find things he’s looking for, come in handy as he desperately tries to investigate and stop the bombing of America.

The Odd Thomas books are pleasant, easy-reading. Koontz doesn’t go very hard with the tension, the action or the pace of the novels. They kind of meander towards the inevitable conclusion. But they are fun, and the characters are really what make the books something special. Odd is funny, intelligent in a simple way and sweet, and his interactions with a whole bunch of strange characters, including the ghost of Frank Sinatra, are really what make these books worth reading.

Good fun, not the best of the Odd books, as the first one is definitely the one to beat, but the formula works well enough, so Koontz isn’t about to try and fix it.

HORNS By Joe Hill – Reviewed

When Ig wakes up after a night he can’t remember his lack of memory is the least of his problems: he has developed horns, like a devil, that make people tell him their deepest, darkness thoughts. And as Ig is the town pariah, thought to have murdered his childhood sweetheart, the truths he hears are unkind to say the least…

Hill is a natural storyteller, much like his father, and manages to suck you into the story and his characters. This book reminded me of King’s work, as well as Odd Thomas by Koontz.

It’s the murder mystery that initially draws you in, but the characters are what continue to keep your interest after the mystery is solved.

Involving and entertaining, but lacking a sufficiently explosive climax. The book further cements Hill as one of the best writers of horror in America.

FOREVER ODD By Dean Koontz – Reviewed

I read the first Odd book about a year ago, and thought it was marvellous. A twisted thriller with nice horror overtones, bringing something new and exciting into my life. Odd is the reluctant dead-seeing hero, out to stop a massive armed attack on the small town of Pico Mundo where he lives. The poignant and heart-rending ending stole my heart, and made me weep. It was a great book, anything that makes me feel something I can’t help but love.

That’s why this novel is such a disappointment. Expectations too high perhaps? Well, possibly, but writers shouldn’t set a standard with their first book in a series and then immediately let you down.

Here Odd finds his night’s sleep interrupted by a dead doctor, and on going to investigate, finds his friend has been kidnapped by a crazy woman. A crazy woman, who, it turns out, wants to lure Odd to his death.

Fairly simple, and yet it’s dragged out for over four hundred pages. This feels like a novel with a minimum word count, stretched almost to breaking point. It’s a testament to Koontz’s writing skills that he still makes it readable and mildly entertaining. But mildly is perhaps being too generous.

The book is long-winded and almost boring. It starts off far too melancholy, the character of Odd and his strange friends and relationships are put on the back-burner while the meagre plot is explored.

Only loyal fans should read this second instalment in the Odd Thomas series. I will be returning for the third novel, but it better be a damn sight better than this or I will be most upset!

CHASM By Stephen Laws – Reviewed

Apocalypse and post-apocalypse novels really float by boat. Armageddon is often a beautiful mix of sf and horror, superbly blended to create novels and stories that are at once horrifyingly realistic, and just a stretch of the imagination away. The end of the world scenario allows a freedom that plain horror just doesn’t.

So as I started reading Chasm, I was getting excited. Laws is one of British’s best horror writers, he started out in the nineties, when I was still young and discovering horror novels for the first time. He brought a Britishness that was sadly lacking from the majority of the novels I read by the likes of King, Laymon, Koontz, etc. Laws was setting a trend, along with Steve Harris, for the British horror novel that has not yet been matched.

Edmonville is a small town which is ripped apart by a massive earthquake that leaves the town in ruins, chasms on all sides. A rag-tag group of survivors band together, hoping that there’s safety in numbers. But then something strange happens. A man in an off-license explodes in a mess of black fluid that chases a couple down to the local survivor centre, and most of the remains of the town’s population are blown to pieces.

Jay, a school cleaner; a lesbian couple who ran the hardware store; a married couple whose son has died; two teenagers from the local school; a young man with a stutter; and a young boy who lost his parents; are all that’s left of the town and must make their way in the new world, trapped as they are on a small piece of ruined town, surrounded by nothing but mile-deep chasms.

So far so good, but Laws tries to do too much. His over-ambition just piles on the horror, and then some more horror, and towards the end, a whole new set of horror in the form of lawless Mad Max/Doomsday type gangs.

Some of its good, but some of this just feels like Laws has been told apocalyptic novels have to be 600 pages long and he’s struggling to get there until inspiration sets in two thirds of the way through. The book just feels too long, it drags through the middle when a nice bit of rewriting would have cut out a couple of hundred pages, shifted the final third of the book forward to the middle and made everything hunky dory!

I’m not saying this is a bad book, Laws is a good writer, the plot is mostly good, and it’s a decent idea. But the end falls a little flat and the “happy ending” is a bit forced. And the biggest problem is the lack of characters. Ok, so this is an ensemble piece, but Jay (our protagonist) has his own diary every few chapters to give us an insight into his character, and even if he died I couldn’t have cared less. The lack of decent and significant characters in a book which is over five hundred pages long just screams rewrite. The characters are fairly clearly defined, they all have backgrounds, albeit brief ones, but none of the characters is more than a cardboard cut-out.

I can’t remember facing this problem with any of Laws’ other novels, and although I’ve only read about four of them, Something South of Midnight was only read just over a year ago.

I wish I could say that Chasm was good, but it’s not. It’s not bad. And it’s certainly got good bits, but with weak characters and being over-long at neatly five hundred and fifty tightly packed pages, Chasm is a wasted opportunity. Such a shame.