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YOU ONLY LIVE TWICE By Ian Fleming – Reviewed

Posted in Reviews, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 16, 2018 by stanleyriiks

Bond is sent to Japan to liaise with their head of security and finds himself sent on an assassination mission. His target turns out to be Blofeld, and Bond must infiltrate a castle of death to finally avenge the murder of his wife.
The Bond novels chart the move between the pulp fiction of the thirties and forties, to the noir novels of the fifties, and the superhero comics of the sixties, containing elements of all of them.

We have a Bond on the edge of a breakdown, suffering from the death of his wife and PTSD (before they had a phrase to describe it). He’s sent on a mission by M, as his final chance to redeem himself, and then blackmailed into killing by a Japan secret service head. Only to find his target is his archenemy…

Bond is a superhero in a noir world of pulp supervillains, with Fleming providing enough detail and depth to really draw us into that world.

Containing all the elements of a classic Bond story; luxury, wealth, exotic locations and even more exotic woman, it’s a playboy fantasy with a measure of action and excitement thrown in. A boy’s own adventure for adult males. Fleming gives us exactly what we’re looking for: adventure, sex, and thrills. No wonder the books and the character continue to be so successful.

THUNDERBALL By Ian Fleming – Reviewed

Posted in Reviews with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 4, 2013 by stanleyriiks

Possibly the most controversial of the Bond stories, as this story was developed for an original film, which wasn’t made until years later, and Fleming was sued by the film’s producers for stealing the story.

That story is of the terrorist organisation SPECTRE, overseen by Ernst Blofeld, who have stolen two nuclear bombs and are holding the powers of the UK and US to ransom. On M’s hunch Bond is sent off to the quiet islands of the Bahamas to try to find out where the bombs might be and stop the dastardly plot.

What follows is typical Bond, beautiful women, adventure and spy-shenanigans.

In David Wolstencroft’s short introduction (I’m reading the Penguin editions) he says this is possibly Fleming at his most accomplished as a writer.  And although certainly the plot could be considered one of the most impressive of the Bond novels to date, and the words brim with life, the action sequences are good, but where is the vivid description of local flora and fauna? Where are the luxury items that make you drawl with envy? Is this a slightly more grown up Bond?

Thunderball is a good book, Fleming delivers a more mature and realistic tale of terror, that apart from the racist and misogynistic comments, wouldn’t look out of place in a modern thriller.

Bond is Bond, and you have to love a man who will stop at nothing to save his country and the world. When the stakes are this high, who else would you look at to save us? Bond, the original and the best.

GOLDFINGER By Ian Fleming – Reviewed

Posted in Reviews, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 4, 2011 by stanleyriiks

After the wasted introduction we get down to the nitty gritty of a classic Bond story, as our hero meets up with a man at an airport who needs his help. Bond is happy to help out when he finds the problem is to do with a card cheat.

Solving the problems only takes a few hours, but Bond gets to meet the eponymous Goldfinger, who is doing the cheating.

Bond’s encounters with Goldfinger continue as M sends him on a fact-finding mission for the Bank of England who suspect Goldfinger is smuggling gold of the country.

Eventually Bond falls foul in his dealing with Goldfinger, because of a girl, and is enlisted into his team, transported to the US and becomes secretary in the villian’s plan to steal all the gold in Fort Knox.

This is classic Bond territory, the card games, the women, the cars, the villain. The only problem is the lack of danger. More so than the previous novels we know that Bond will win, he is able to out-smart Goldfinger at their every encounter, despite the tension and the stakes getting higher each time. Goldfinger is a clever villain, one of the richest Bond has encountered, and yet his weakness, his failure to kill Bond, is silly.

Oddjob is a scary individual, but the final showdown between the Korean and Bond is woefully inadequate. In fact the climax is weak and too simply dealt with after the excellent build up.

An inadequate introduction starts this book off poorly, and doesn’t do the book justice. Despite the fact this is not the best of the Bond books, it still manages to entertain, feeling much like a more modern pulp thriller.

It’s hard to look at the Bond book with anything other than rose-tinted glasses. Bond is an integral cultural icon, and the Fleming books started it all, but this is not the best of the Bond novels.