January Issue – Morpheus Tales Supplement

Been so busy working and reviewing for the next issue of the Morpheus Tales Supplement that I haven’t even had time to write a blog! There’s more still to come, but here’s a good idea of what will be contained in those hallowed pages…

MARAUDER By Gary Gibson
THE LORDS OF SALEM
Ramblings of a Tattooed Head By Simon Marshall-Jones
DREAM LONDON By Tony Ballantyne
THE MAMMOTH BOOK OF BEST NEW HORROR 24 Edited By Stephen Jones
MEAT By Joseph D’Lacey
GARBAGE MAN By Joseph D’Lacey
SHADES OF MILK AND HONEY By Mary Robinette Kowal
DRAKENFELD By Mark Charon Newton
SHAME THE DEVIL By Michael Lejeune
A BRIEF GUIDE TO GHOST HUNTING By Dr Leo Ruickbie
KNIGHT OF SHADOWS By Toby Venables
The Most-Visited Grave in Swan Point Cemetery By Hunter Welles
DEEP STORM By Lincoln Child
FROM THE FATHERLAND, WITH LOVE By Ryu Marakami
THE EIDOLON By Libby McGugan
THE CONJURING (2013)
DARK SKIES (2013)
JOYLAND By Stephen King
SPLATTERLANDS: REAWAKENING THE SPLATTERPUNK REVOLUTION By Various
ABRAHAM LINCOLN VS ZOMBIES (2012)
World War Z (2013)
THE WITCH’S DAUGHTER By Paula Brackston
THE WINTER WITCH By Paula Brackston
TIGER’S CLAW By Dale Brown
PLASTIC JESUS By Wayne Simmons
THE EMPEROR’S BLADES By Brian Staveley
BOUNTY KILLER
THE IRON WOLVES By Andy Remic

The FREE Morpheus Tales Supplement will be out in January… You can read and download the current and previous issues from the Morpheus Tales website: www.morpheustales.com

 

GARBAGE MAN By Joseph D’Lacey – Reviewed

A year after the miracle of horror that was MEAT, D’Lacey was back with a new novel and I had to read it. Garbage Man was a very different book, but it had that same raw intensity, it had that same passion and an underlining ecological theme. For his second book D’Lacey goes all B-Movie on us and brings us a powerful vision of a future corrupted by humanity and the toxic results! My original review is below:

This book is absurd. It’s ridiculous. And it’s bloody marvellous!

In D’Lacey’s debut novel MEAT he teased us in, providing a stark, gritty realism to draw us into his world, and then slamming us face first into the dark, depraved heart of his brutal, unforgiving, twisted reality.

Well, he’s back!

Shreve is a small mid-England town, a normal enough town with a normal enough set of individuals populating it. Shreve is also home to one of the largest landfill sites in the UK.

The populants of the town are Shreve are a varied bunch, there’s the Smithfields, their son Donald, a young paperboy having sex with one of his married neighbours, and Aggie, the wannabe model and teenage temptress. There’s Miss Ahern the nosey neighbour and religious nut. There’s Kevin and Tamsin, the married couple on the verge of breaking up. Ray and Jenny, two students whose relationship has run it’s course and who may find happiness in the arms of that married couple. And then there’s Delilah, an Earthy goth chick. And Mason Brand, former star photographer and now caretaker of one of the strangest creatures to ever grace the printed page…

In a superbly Frankenstein-esque moment during a lightning storm several piles of rubbish from the landfill awaken into creatures. But only one of the creatures survives as Mason finds it and starts feeding it, with his own blood. The creature, made of rubbish, feeds and grows. This truly gives a new meaning to recycling, as the creature consumes everything given to it, or it can take, and uses it to heal itself, to upgrade itself. It’s like a Transformer made of rubbish and when it eventually feeds on an entire human it starts to get the taste and realises that it shouldn’t be alone, it should be the commander of a massive army of other garbage creatures, and so it sets its army on a path of destruction that will change Shreve and the world forever.

This really shouldn’t work. It’s too ridiculous, except that it’s not. This does work, and it works well. The town of Shreve is set up very realistically, and the characters and their bad habits are all presented to us well before the actual horror starts. And when the horror does kick in it’s hard and fast and furious.

Not only does D’Lacey provide his knack for brutal realism, he creates a creature you care about almost as much as the other characters. The Garbage Man, although certainly a villain, is also something of a hero, and at the end you can’t help but feel a certain empathy with him in an almost King Kong moment.

The final ending is even harsher and more brutal than the attack of the garbage men and deserves mention as one of the spookiest endings I’ve read in a long time, one that will not only leave you pondering the sheer wretchedness of it all, but leaving you aching for more. The last few chapters show us the true power that D’Lacey can unleash.

It’s not a perfect package by any means, our ensemble cast provide little in the way of emotional involvement. The best character is Delilah and she doesn’t appear until the book is halfway through. And Aggie’s adventures in London are cut far too short, and probably could have been quite a decent book on their own.

D’Lacey’s tendency to use pertinent socio-political themes doesn’t detract from the entertainment, it enhances it. You cannot help but smile at the clear message, whilst enjoying the bloodlust and nastiness that D’Lacey uses to such great effect. A bloodlust and nastiness that is akin to Jack Ketchum’s brutality and is highly entertainment for the horror connoisseur.

Garbage Man is ridiculous, but in a good way. It is the skill and subtlety with which D’Lacey tells the story that raises this so far above beyond the ridiculous.

This is what horror should be like, no-holds-barred brutality, nastiness in an action-packed package.

www.oaktreepress.co.uk

MEAT By Joseph D’Lacey – Reviewed

I originally read MEAT in 2008, it was the first novel by an unknown (to me) writer named D’Lacey. I was actually shocked, shocked, by one scene. I’d never been shocked before, and having read horror for twenty-odd years I didn’t expect to be shocked. I was surprised to be shocked (of course since then I’d read Gary McMahon and Andy Remic!).

I enjoyed MEAT immensely, and have been a fan of D’Lacey ever since, he is a story teller with an agenda, but he never lets that get in the way of a good story. MEAT is being re-released by Oak Tree Press and it’s about damn time. If you want to read a scary book then you need to read this one, it’s sheer brutality is a joy to behold. It’s shocking in a way that very few books can ever be. This is D’Lacey at his brutal best, the original review and I stand by it. Read this book people, read it now!

It’s very difficult to review a book without giving away the basic premise, but I’m going to have to try because it’s such a good surprise that I really don’t want to spoil it for you.

But you should read this book, and you should find out what the surprise is for yourself.

I devoured it in three days, and had to chuck my girlfriend out of the flat so that she would not distract me. And she’s a pretty nice distraction!

Richard Shanti works at Magnus Meat Processing, a huge slaughterhouse that provides all the meat, and through methane processing, the power for the town of Abryne. He’s known as The Ice Pick and he’s MMP’s top stunner, the man who puts the bolt into the brain of the cattle. But Richard starts to think that something is wrong at MMP, something very wrong.

There are various other strands to the plot, including a mad, half-starved prophet intent on ruining MMP whatever the costs, someone trying to find out the truth about the Ice Pick, Magnus himself protecting his monopoly at any cost.

This is so much more than a horror novel, although it contains one of the most horrifying scenes I’ve ever read, and I’m a veteran of the splatterpunk era and video nasties. It’s at once, a horror, science fiction, and morality tale.

Brutal and tender at the same time, MEAT is a highly accomplished first novel from an author who shows a lot of promise.

www.oaktreepress.co.uk

BLACK FEATHERS By Joseph D’Lacey – Reviewed

Printed with the kind permission of Morpheus Tales. This review will appear in the forthcoming (very soon!) Morpheus Tales Supplement!

Black Feathers is the first the first volume in the Black Dawn Duology. A story of an environmental apocalypse…

Gordon Black is born into a world that is starting to crumble. The very Earth is sick, its disease is humanity. Floods, solar flares, famine, financial crises, earthquakes, mudslides. The old saying that society is only 72 hours from falling apart is going to be tested.

The Black family can see what’s happening. They start saving tinned food, hoarding supplies, preparing for the worst. But they can’t prepare for The Ward (a multinational corporation, part police, part military, part government). The Ward takes control of a faltering nation. They “collect” people and their belongings, taking whatever they want or need. They are self-proclaimed saviours of humanity. Gordon’s family is collected and imprisoned by The Ward for hoarding supplies, but the teenage boy manages to escape with his life and sets off to find the mysterious figure called The Crowman: a figure that some say is Satan, and others say is the saviour. While The Ward chase Gordon down, he attempts to find The Crowman.

This is a story of discovery. Gordon and Megan Maurice (who also searches for The Crowman) set off into the wilderness to try to find answers although they don’t even know what questions they need answering. Both are at the mercy of a humanity shattered and broken, as well as rapists, murderers, liars, thieves. Both must discover the truth about the Earth, The Crowman, and what happened to the world.

D’Lacey paints a disturbing picture of the apocalypse, giving hints of the epic dangers and actions that took place, while focusing on the lives of our main characters and telling the story of these epic events through our protagonists. The horrors, instead of the numbing millions, are directly relatable to the terrors that both teenagers face. The human de-evolution due to the crisis is dangerously clear at every stage. Each new face they meet is a potential danger.

This first book sets up the scene nicely, gives us a lot of the background, and sets up a nice cliff-hanger ending that’s left me ready for more. D’Lacey gives us hints of the horrors of the apocalypse, making it a mystery for our protagonists to discover. The story is carefully laid out for the reader to interpret. This is intelligent and subtle, with life-threatening dangers on an individual scale, not an action-filled battle for Earth’s survival. Not yet at least; there may well be some of that in the second book in this duology (and from the author of MEAT, I’m really looking forward to that).

Black Feathers is an original and intelligent apocalypse story. It’s a myth-filled fable of the end of the world on an individual basis. It’s a coming-of-age story set on a cruel and broken Earth.

D’Lacey writes with a power and conviction that is scary. This could well be our future. Bring on volume two! Right now! I need to know what happens next!

www.angryrobotbooks.com

GARBAGE MAN By Joseph D’Lacey – Reviewed

As reviews editor for Morpheus Tales Magazine I tend to get first choice of the material that comes in for review. It also means I’m stuck with all the leftovers too!

When I get the choice I pick books I like, authors I enjoy. I don’t do this for the money, mostly I do it for the free books! I’m not a masocist, why would I pick a book I’m fairly unlikely to enjoy? That’s why I read horror, science fiction and fantasy and not romance and girlie books. I don’t have anything against rom-coms, I just prefer my entertainment served up in a bodybag, after a thorough beating!

Early last year we got a book called MEAT by Joseph D’Lacey, a debut novel from Bloody Books, a new publisher I’d never heard of. New author, new publisher, new book…. Mmm…

Unknown quantities scare me. I like to mentally prepare myself for whatever experience I’m about to have. But D’Lacey had travelled around the country in a “Meat Wagon” promoting the book, which appealed to my dark sense of humour so I thought I’d try it.

MEAT is not a subtle book, it’s refreshingly shocking, brutal, and nasty. It’s kind of like a Shaun Hutson novel, it’s dirty and wrong, but that’s why you love it. And I did! I did love it, MEAT is one of those rare books that can shock you, it sucks you in and then vomits you out before you’re ready for it.

So when Joseph D’Lacey’s second novel turned up I begged for it!

GARBAGE MAN By Joseph D’Lacey

Bloody Books

This book is absurd. It’s ridiculous. And it’s bloody marvellous!

In D’Lacey’s debut novel MEAT he teased us in, providing a stark, gritty realism to draw us into his world, and then slamming us face first into the dark, depraved heart of his brutal, unforgiving, twisted reality.

Well, he’s back!

Shreve is a small mid-England town, a normal enough town with a normal enough set of individuals populating it. Shreve is also home to one of the largest landfill sites in the UK.

The populants of the town are Shreve are a varied bunch, there’s the Smithfields, their son Donald, a young paperboy having sex with one of his married neighbours, and Aggie, the wannabe model and teenage temptress. There’s Miss Ahern the nosey neighbour and religious nut. There’s Kevin and Tamsin, the married couple on the verge of breaking up. Ray and Jenny, two students whose relationship has run it’s course and who may find happiness in the arms of that married couple. And then there’s Delilah, an Earthy goth chick. And Mason Brand, former star photographer and now caretaker of one of the strangest creatures to ever grace the printed page…

In a superbly Frankenstein-esque moment during a lightning storm several piles of rubbish from the landfill awaken into creatures. But only one of the creatures survives as Mason finds it and starts feeding it, with his own blood. The creature, made of rubbish, feeds and grows. This truly gives a new meaning to recycling, as the creature consumes everything given to it, or it can take, and uses it to heal itself, to upgrade itself. It’s like a Transformer made of rubbish and when it eventually feeds on an entire human being it starts to get the taste and realises that it shouldn’t be alone, it should be the commander of a massive army of other garbage creatures, and so it sets its army on a path of destruction that will change Shreve and the world forever.

This really shouldn’t work. It’s too ridiculous, except that it’s not. This does work, and it works well. The town of Shreve is set up very realistically, and the characters and their bad habits are all presented to us well before the actual horror starts. And when the horror does kick in it’s hard and fast and furious.

Not only does D’Lacey provide his knack for brutal realism, he creates a creature you care about almost as much as the other characters. The Garbage Man, although certainly a villain, is also something of a hero, and at the end you can’t help but feel a certain empathy with him in an almost King Kong moment.

The final ending is even harsher and more brutal than the attack of the garbage men and deserves mention as one of the spookiest endings I’ve read in a long time, one that will not only leave you pondering the sheer wretchedness of it all, but leaving you aching for more. The last few chapters show us the true power that D’Lacey can unleash.

It’s not a perfect package by any means, our ensemble cast provide little in the way of emotional involvement. The best character is Delilah and she doesn’t appear until the book is halfway through. And Aggie’s adventures in London are cut far too short, and probably could have been quite a decent book on their own.

D’Lacey’s tendency to use pertinent socio-political themes doesn’t detract from the entertainment, it enhances it. You can’t help but smile at the clear message, whilst enjoying the bloodlust and nastiness that D’Lacey uses to such great effect. A bloodlust and nastiness that is akin to Jack Ketchum’s brutality and is highly entertaining for the horror connoisseur.

Garbage Man is ridiculous, but in a good way. It is the skill and subtlety with which D’Lacey tells the story that raises this so far above beyond the ridiculous.

This is what horror should be like, no-holds-barred brutality, nastiness in an action-packed package.