THE JUNIOR OFFICER’S READING CLUB By Patrick Hennessey – Reviewed

A young man, fresh from university with a degree in English heads to Sandhurst to become an officer. He is trained by the best the British Army has to offer, and sent off to the Balkans as a warm up, then to Afghanistan and Iran where things get very hot indeed.

Insightful, poignant and entertaining, this is the British version of Jarhead. It manages to encapsulate the excitement and fear of warfare, as well as the struggles of being under-funded and under-resourced, and the moments of waiting, the moments of boredom during missions, and how the soldiers deal with it. There are also some interest insights into the world of a soldier and his relationship with the outside (non-military) world, and the adjustments trained killers have to make in “normal society”.

Intriguing and intelligent, Hennessey can write, and his first book is a must for any military fan.

ON WRITING By Stephen King – Reviewed

ON WRITING By Stephen King

An insight into writing from one of the world’s best selling authors? What more could a writer want?

Well, quite a lot actually.

I like Stephen King, I like his work (mostly), and although I don’t know him I hear good things and I respect him as a man. His books are sometimes a little hit and miss, Different Seasons which includes the novella “The Body” is probably my favourite of his books. Rose Madder, which is pretty good up until the ridiculous ending, is my least favourite, and the last book of his I read.

Sometimes the length of King’s books puts me off, but On Writing is fairly brief at just over two hundred pages in hardback.

The first half is a nice and gentle introduction to the Stephen King that many of us are not so familiar with, his poor childhood, his alcoholism, and how he started writing. This memoir is in no way an autobiography, it’s a series of short chapters from King’s life that he wants to share with us and that he believes helped to shape him into the writer he is today. Nice, interesting, but not exactly insightful.

The second part of the book is actually about the process of writing, and there are a couple of hints about how King writes, including his dislike of adverbs and the passive voice, and some tips on revision. This is in no way a manual, but while writing it you are swept away by King’s ability to tell a story, even the story of how he writes. As he says himself he doesn’t have a magic wand he can give to other writers, and a lot of how he writes just comes so naturally that he couldn’t even put it into words. And that’s the main problem with the book. For those seeking guidance there are may be four or five useful tips that can be used and that’s it.

Yes, this is a nice book for Stephen King fans, and despite myself I was swept along for the ride too. But it’s like a rollercoaster, you enjoy it while you’re on there, but as soon as you get off you can’t help thinking: “Is that all there is?” Perhaps other writers will get more out of it. I’m not saying it wasn’t helpful, the tips that are in there are pretty good, although I’m not entirely convinced that not plotting when writing a novel is a good idea. It certainly explains King’s character-driven writing style though.

Writers desperate for some guidance and Stephen King fans will no doubt love this book. King says this isn’t a writer’s manual, and it’s certainly not. It’s a very personal insight into one of the world’s best selling writers.