Archive for noir

YOU ONLY LIVE TWICE By Ian Fleming – Reviewed

Posted in Reviews, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 16, 2018 by stanleyriiks

Bond is sent to Japan to liaise with their head of security and finds himself sent on an assassination mission. His target turns out to be Blofeld, and Bond must infiltrate a castle of death to finally avenge the murder of his wife.
The Bond novels chart the move between the pulp fiction of the thirties and forties, to the noir novels of the fifties, and the superhero comics of the sixties, containing elements of all of them.

We have a Bond on the edge of a breakdown, suffering from the death of his wife and PTSD (before they had a phrase to describe it). He’s sent on a mission by M, as his final chance to redeem himself, and then blackmailed into killing by a Japan secret service head. Only to find his target is his archenemy…

Bond is a superhero in a noir world of pulp supervillains, with Fleming providing enough detail and depth to really draw us into that world.

Containing all the elements of a classic Bond story; luxury, wealth, exotic locations and even more exotic woman, it’s a playboy fantasy with a measure of action and excitement thrown in. A boy’s own adventure for adult males. Fleming gives us exactly what we’re looking for: adventure, sex, and thrills. No wonder the books and the character continue to be so successful.

DEAD STREETS By Tim Waggoner – Reviewed

Posted in Reviews, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 20, 2011 by stanleyriiks

You might have thought that our hero and narrator, Matt Richter, Private Investigator, having his head cut off would be the end of the story. But this is Nekropolis, and Matt’s a zombie, so having his head cut off is just the start of his problems. He then finds out that his body has been stolen.

This is, literally, the beginning of a series of events that drive us towards the obvious conclusion, deftly swerved by Waggoner.

To give you any more of the details would be a disservice, and it’s the richness of the exploration of the mystery, as well as the brilliance of Nekropolis, that keeps you coming back for more.

This second book in the Nekropolis series focuses more on plot, whereas the first book with a mystery wrapped inside a guide book to everybody’s favourite strange city of the dead, the strange, the alien.

For anyone who has never read Nekropolis, the first book in the series, the mystery of a stolen artefact offers our zombie detective Richter the opportunity to explore the magically twisted city of Nekropolis, and gives us a back history of this underworld and our hero/narrator. Not the greatest novel ever written, it’s the city of Nekropolis that makes the book. It’s difficult to describe, but a dark adult version of Tim Burton’s Nightmare Before Christmas might be the closest you could get. It’s inhabited by wizards, vampires, ghosts, werefolk, zombies and all manner of dark and mysterious creatures.

The second book moves on with the relationships and the world first explored in Nekropolis and moves it all forward. The plotting is better here, but there is still a distinct lack of tension, probably because Matt is already dead and that struggle for life is over. The mystery isn’t so much of a mystery, until the end, but it’s the getting there rather than the result which is the important part.

This is a fun book, it’s enjoyable for the very idea of the city, further explored here to great effect. But with a decent plot and some added tension, this would have been an amazing novel. There’s still the third book to hope for, but I’m not even sure Waggoner of capable of blowing us away.