Archive for problems

33AD: A Vampire Novel By David McAfee – Reviewed

Posted in Reviews with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 24, 2013 by stanleyriiks

I can’t remember the last time I enjoyed a book that has so many problems. But I did rather enjoy this.

The Romans have taken control of Jerusalem, but the Jewish population aren’t happy about it. A young rabbi named Jesus is causing problems. And a vampire assassin is loose in the city…

Romans, vampires and Jesus. What more could you ask for?

The story begins as a kind of murder mystery as Roman Legionary Taras sets out in search of the murderer of two city guards. He comes across a Vampire Gatehouse, although he doesn’t know what it is, when he follows a man suspected of the murders. That man isn’t a man at all, but a vampire assassin, sent out by the Council of Thirteen to rid the world of any that know about their secret.

What follows is conspiracy, betrayal, murder, lies, more conspiracy, bloodshed, torture, another conspiracy, and treachery.

McAfee doesn’t lack ambitious, the plot involves various nefarious doings and plots by the main characters, and he manages to imbue this ancient world with a realism that holds. The action is plentiful and keeps the pace of the story going along fast enough to take your mind from the various small problems the book has.

And now we come to those problems… As a small-press book you don’t expect the sheen and polish you would expect from a major publisher, so the many typos can be forgiven. The stupidity of some of the characters and their actions becomes a little tedious as it continues throughout the book. The predictability of many of the plot “twists” and ease with which everything falls into place, calling into question the presence of an editor’s firm hand, become sigh-worthy by the end of the book.

There are times when this book will make you groan, as the writer writes himself into a corner and then must abuse his plot to find his way out; there are times when you will sigh with frustration, knowing what is going to happen before the hapless characters falls into the obvious trap or plot twist; and there are times when you will want to scream at the writer to not repeat himself, again, and just get on with telling the story.

And yet these are minor foibles that do take away from the book, but don’t ruin it. This is still an enjoyable romp. With the steading hand of a good editor and a bit of rewriting, this could be a bloody excellent book.

Action, violence, vampire conspiracies, Roman soldiers, lust, murder and Jesus. Surely you can’t want more than that? Shows great promise, and it’s not too difficult to look past the problems and enjoy this lusty, bloodthirsty tale.

THE SKINNER By Neal Asher – Reviewed

Posted in Reviews, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 18, 2011 by stanleyriiks

Three strangers meet on the way to the planet’s surface. That planet, which has little serviceable surface, is Spatterjay, a mostly water-filled world. And the seas of Spatterjay are filled with all manner of creatures all ready and willing to eat you and anything else that invades their watery home: including the strange leeches, whose bite, if not fatal, will change your body chemistry until you are immortal, or near as damnit.

One of the party of three is Sable Keech, several hundreds of years old, and finally returning to Spatterjay to complete his mission: to find the remaining survivors of Jay Hoop’s crew and execute them. They were an ancient gang who sold cored-human slaves to the alien Prador’s during the war. Despite the war now being over a Prador adult and adolescent have arrived on the planet in secret with one of Hoop’s old crew, intent on causing problems.

Another of the three is Janer, part of a hive mind that may have secret plans to colonize the planet.

Throw into this mix semi-immortal pirates; a monster that skins people alive; the various fauna that occupies most of the planet and is intent on eating everything else; an AI overseer that acts as the planet’s police and army; and a War Drone; and you get a massive amount of story, huge back-stories, and a huge amount of information that fortunately doesn’t slow down the plot too much.

It takes a little while to get into the book because of the sheer volume of stuff you need to know, but it’s so full of great ideas that you can’t help but keep reading. The book builds nicely, we have enough action and enough ideas to not only keep you entertained but make you want to discover more. Fortunately Asher’s produced not only more Spatterjay novels, but also Polity novels (based on the more organised part of the universe that only make a brief appearance here). Asher’s universe is massively detailed and cleverly put together, and the novel is the same. What it lacks in pace to begin with is swiftly made up for in the later stages, and you can forgive this because of the amount of detail expounded.

Full of great ideas, with a good solid story and plenty of twists and turns, this first book of Spatterjay is the ideal entry into this virgin territory, and I have high hopes for the other books in the series, which I will most definitely be seeking out.

HARBINGER OF THE STORM By Aliette de Bodard – Reviewed

Posted in Morpheus Tales Magazine, Reviews, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 2, 2011 by stanleyriiks

With the kind permission of Morpheus Tales. This review will appear in the April issue of the  MT Supplement.

You know how sometimes when you meet someone for the first time, for absolutely no reason that you can put your finger on, you have an instant dislike – like a kind of anti-chemistry – and as you get to know them a little better you find out your initial instinct was complete and absolutely correct? (Lots of people who meet me for the first time get this impression.) That’s what happened with this book.

It should have been fine. A murder mystery set in Aztec Mexico at the height of the Aztec empire, somewhere around the fifteen century. Sounds interesting enough. Except that it’s really not. It’s not a murder mystery for a start; it’s more a political drama with a few deaths and murders thrown in. This is not Poirot. The story is much more reminiscent of Macbeth or Hamlet as it follows of the political intrigues when the ruler dies and his replacement must be found.

The minutiae of finding the new leader is epic, on a scale that even those not taking an instant dislike to, will find hard to bare. De Bodard, in her afterword, says herself that the process would likely have been shorter than she’d written it. Of course it would. The only things that would feel longer would have been having my fingernails removed with pliers, or my testicles boiled on a low heat.

One of the problems with the book is that you just don’t care. The characters, with their incomprehensible and mispronounce-able names, are interchangeable, having no distinguishing characteristics. The fact that half of them are priests and the other half are imperial family doesn’t help matters. There’s so little tension that a couple of deaths acts only to wake you up a little.

The fantastic Aztec Mexican setting is ruined by keeping everything within the courtly areas of the temples. There’s no jungle, no danger, no atmosphere. The Aztec setting, rather than spicing things up just adds to the confusion with the many-syllable names and a little of their religion. For one of the most blood-thirsty warrior nations in the world there’s little blood-shed, only once is sacrifice mentioned, and there’s absolutely nothing to help alleviate the boredom.

Can a book really be that bad? Everything good you might imagine should be contained in this book has somehow been removed. It’s rather like my mother’s cooking, when at her worse she manages to remove everything that’s good from every single ingredient until what you end up with is a vapid, insipid, flavourless slop. De Bodard seems to have fashioned this book in the same way. What should work just does not, and it doesn’t work unrelentingly. A failure of epic proportions, but a book that can be read. Probably the worst book I remember finishing, but finish it I did, and I feel quite proud to have suffered such torment and survived. I can only hope that Volume 1 in the Obsidian and Blood series was very different, and that the following third volume won’t make the same mistakes as the second.

Of course there are worse fates than having to read this book again, waterboarding or the aforementioned bollock boiling. Both of which I would recommend before attempting to read this.

www.angryrobotbooks.com

GOLDFINGER By Ian Fleming – Reviewed

Posted in Reviews, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 4, 2011 by stanleyriiks

After the wasted introduction we get down to the nitty gritty of a classic Bond story, as our hero meets up with a man at an airport who needs his help. Bond is happy to help out when he finds the problem is to do with a card cheat.

Solving the problems only takes a few hours, but Bond gets to meet the eponymous Goldfinger, who is doing the cheating.

Bond’s encounters with Goldfinger continue as M sends him on a fact-finding mission for the Bank of England who suspect Goldfinger is smuggling gold of the country.

Eventually Bond falls foul in his dealing with Goldfinger, because of a girl, and is enlisted into his team, transported to the US and becomes secretary in the villian’s plan to steal all the gold in Fort Knox.

This is classic Bond territory, the card games, the women, the cars, the villain. The only problem is the lack of danger. More so than the previous novels we know that Bond will win, he is able to out-smart Goldfinger at their every encounter, despite the tension and the stakes getting higher each time. Goldfinger is a clever villain, one of the richest Bond has encountered, and yet his weakness, his failure to kill Bond, is silly.

Oddjob is a scary individual, but the final showdown between the Korean and Bond is woefully inadequate. In fact the climax is weak and too simply dealt with after the excellent build up.

An inadequate introduction starts this book off poorly, and doesn’t do the book justice. Despite the fact this is not the best of the Bond books, it still manages to entertain, feeling much like a more modern pulp thriller.

It’s hard to look at the Bond book with anything other than rose-tinted glasses. Bond is an integral cultural icon, and the Fleming books started it all, but this is not the best of the Bond novels.