Archive for skills

Morpheus Tales July Supplement – Line Up So Far…

Posted in Morpheus Tales Magazine, Reviews, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 13, 2011 by stanleyriiks

Been working hard on this all morning, so I thought I’d share. The contents page is looking very much like this, and the free online non-fiction magazine will be launched in July to accompany the publication of Morpheus Tales #13.

And Now… An Important Message From Trevor Wright
EMBEDDED By Dan Abnett
ZOMBIE, OHIO: A Tale of the Undead By Scott Kenemore
Wayne Simmons Interview By Stanley Riiks
HELL RIG By J.E. Gurley
CORSETS AND CLOCKWORK Edited By Trisha Telep
SCREAM 4
UNGRATEFUL DEAD By Naomi Clark
STRANGE MEN IN PINSTRIPE SUITS AND OTHER CURIOUS THINGS By Cate Gardner
ZOMBIES AND POWER TOOLS By Alan Spencer
SKULLS By Tim Marquitz
Guidance from the Dark Scribe: When It’s NOT Writer’s Block By Ty Schwamberger
THE DAMNED BUSTERS (Book One of To Hell and Back) By Matthew Hughes
SKYLINE
HAUNTING BLUE By R.J. Sullivan
ABRAHAM LINCOLN VAMPIRE HUNTER By Seth Grahame-Smith
THE ABOLISHER OF ROSES By Gary Fry
The New Publishing Model: Benefits and Drawbacks: Book Promotions and Marketing By Cyrus Wraith Walker
SUCKER PUNCH
DAMAGED By Yolanda Sfetsos
RUBBER
BLUE FIRE BURNING: TALES OF THE PAHLEEN By Hobb Whittons
Julie Anne Interview By Trevor Wright
AS I EMBRACE MY JAGGED EDGES By Lee Thompson
ETHEREAL TALES #11
TRILOGY OF BLOOD
Some of the Best Zombie Series on the Market By Eric S. Brown
MONK PUNK Edited By A. J. French
DOA – EXTREME HORROR ANTHOLOGY Edited By David C. Hayes and Jack Burton
TORMENT By Greg Chapman
THE CONCRETE GROVE By Gary McMahon
Interview with Ben Baldwin
DANCING WITH THE VELVET LIZARD By Bruce Golden

The free magazine will be available in July to read, view or download. Check out the website for the current and past issues:

www.morpheustales.com

THE GRAVEYARD BOOK By Neil Gaiman – Reviewed

Posted in Reviews, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 24, 2010 by stanleyriiks

It’s difficult to review a book like there. And there are so few books like this. Books that you experience, rather than read. Books which envelope you, books which takes you to a new world and let you explore that world and introduce you to new friends.

Books that touch you. Writers that speak to you.

These are rare things. Much like The Thief of Always, The Hobbit, and Harry Potter and the Philosopher’s Stone, The Graveyard Book is a tale of wonder, of imagination, a coming of age tale of adventure.

Nobody Owens’s family is killed one night when he’s a toddler, and whilst the murderer is searching for him, Bod slips out and finds himself in a graveyard, adopted by the ghosts who live there. But to keep Bod safe from the murderer he can’t leave his new home, and must learn to live the life of a live human within his ghostly confines.

Bod slowly grows up, learning the skills he needs to survive in his strange surroundings, but longing for the life of a live person, without even knowing it.

Gaiman creates a magical world, part Harry Potter, part Tim Burton. The plot follows the trials and tribulations of Bod’s growing up, a simple tale, but with the ever growing presence of the murderer making life all the more difficult for the young child.

Ok, so there are several places where things are nicely slotted into place and then become suddenly important, Bod meeting a witch and then needing her magic to escape after being trapped by a dodgy pawnbroker. But these aren’t glaring, and it’s only those reading this with a critical eye that are likely to notice.

And that’s what I mean by this being a difficult book to review. While you read it you enjoy it, you love every minute of it. You can’t help but feel a tug at the heartstrings every time you put it down, the urge to continue discovering the story made me finish the book in barely two days, despite a full-time job interfering.

This is the kind of book that children should be made to read. Not because they can learn from it, although they will, but because this is the sort of book that makes you feel you have discovered a wonderful, magical world, and will make children want to read more.

The Graveyard Book will no doubt make Gaiman many more fans, and deservedly so. He’s created a wonderful world and filled it with people who you can’t help but love.

Enchanting and beautiful. I cannot recommend this book enough.

Some Tips for Writers

Posted in Morpheus Tales Magazine, Uncategorized, writing with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 18, 2009 by stanleyriiks

I’m fortunate enough to have a friend who edits a small press magazine, it’s called Morpheus Tales Magazine and it’s bloody excellent. Go check it out: www.morpheustales.com. He’s owes me a fiver now!

I’m also friends with a couple of other editors, as well as editing the reviews section of Morpheus Tales Magazine myself. Occasionally we have moans about writers, just as writers tend to moan about editors. During the course of these moans though certain useful pieces of information come to light. Practical information that will help your writing career. I’ve also used some of my own vast experience, and the experiences and advice of other writers that I’d read or interviewed.

Obviously this isn’t a definitive guide to writing, it’s just some tips, so feel free to add any.

In no particular order:

Be professional: Always read the writers guidelines. Nothing annoys an editor more than a story that’s too long, or not long enough, or simply the wrong genre. Don’t waste your time or theirs.

Learn to format a manuscript correctly. This means using the format menu and the paragraph settings to change the document’s indentations and line spacing, not using the tab and tapping enter twice at the end of every sentence to get it double space. If you format a story properly it’s much easier to manipulate.

Using the correct format, ok this is different from the previous paragraph. Most magazines/editors/publishers require standard manuscript format, find out what it is and stick to it. Some publishers require certain fonts and font sizes (normally 12), most prefer double spaced. If you can’t be bothered to find out how a publisher/editor wants to receive your work, why should they be bothered to read your work?

Write a simple, shortly covering letter/email. Include a brief description of the story too, and possibly a short bio. Some publishers want a synopsis, so include that. Include whatever it specifically asked for, that’s why you read the writers guidelines properly. Don’t include your life history, what inspired you to write the story or any other irrelevant information. Most editors will judge the story on its own merits and won’t even read your covering email unless the story is good enough anyway.

Do your homework. Read the magazine before you submit anything. Do you know what sort of material they publish just be reading the title and looking at the website? No. Find out the editor’s name too, it always helps if you approach the correct person. Some magazines and most publishing companies have specific editors dealing with specific areas.

Don’t give up. Stephen King was rejected hundreds of times, he collected his rejection slips on a large nail in his bedroom. Rejection happens to us all, even me, and although its harsh try to learn something from it. It you get some criticism listen to it.

Proofread your masterpiece, spell-check it and check it for grammer. If you want to be taken seriously then take your work seriously, this is part of being professional about your work. Check it for mistakes and typos. Not everyone’s perfect, including, on occasion, myself, but at least try to send your piece error-free. An editor will reject your work if it will take them some time to make it publishable. If there are too many typos they might not even read the whole thing.

There are more tips on the writers guidelines page of Morpheus Tales Magazine, right down at the bottom. It’s worth taking a look at these too.

Don’t think I’m going to give you the big secret about how to write a masterpiece, that I’m still working on. I can’t give you tips on characterisation or plotting either, I’m developing those skills as you read this! Read a lot and write a lot. As the saying goes practice makes perfect.