How do you create a possible successor to one of the greatest fantasy characters to ever live? I’m obviously talking about sword and sorcery legend Conan. The Cimmerian Barbarian has entertained readers for eighty years, and film goers for thirty. There hasn’t been a new Conan novel for a long time, but if you read any of the Tor novels you’ll find them remarkably similar – a plot on rails with very little imagination.
Conan is a prototypical fantasy barbarian, with well-known characteristics that many have tried to emulate.
Kell’s departure from these characteristics is what makes this story work so well. He’s a grumpy old man, a warrior past his prime and discarded by society, hiding away in a small northern town where he makes soup and is visited by his granddaughter, Nienna. After one such visit, the ears of the old warrior prickle as he hears screams. His door is kicked in by albino warriors who bleed white blood when he kills them using his trusted blood-bond axe, Ilanna, and the fight is on to save Nienna. It soon becomes clear that the albino soldiers are part of an invading army, and Kell is joined in his cause by a seducer and popinjay Saark, who’s more interested in saving his own skin and bedding Nienna or her friend Kat.
The invasion is led by General Graal, a leader of the Vachine, a race part vampire part machine. Graal is a cruel and twisted warrior who will stop at nothing to capture the entire human race, so that he and his people may feed.
Kell is a hero for the modern era, complete with idiosyncrasies, a deep and troubled history, and dealing with his own set of problems whilst struggling desperately to survive. The other characters in the novel are also very well drawn, and as the world gradually expands on their voyage, so too does the world become more detailed.
This book isn’t read as much as it is experienced. It draws you in deeply in the first hundred pages and then, as more and more dangers are thrown at our band, you feel you are surviving with them. Remic isn’t afraid to kill off a great character or throw in another challenge to spice things up and ramp up the tension. You can’t help feeling like you have to hold on tight just to stay on for the ride. It’s that tension and excitement that make the book stand out. There is real danger here. In most fantasies you know that the main characters are always safe because they have to appear in the next book, but although this is Book I of the Clockwork Vampire Chronicles, it’s not the Tales of Kell chronicles and you really do believe that at any moment another character could be killed. There’s an evil and twisted streak to Remic, which not only gives us added danger (and a little torture), but also provides the grim humour that is sadly lacking for many modern fantasy novels.
Okay, so it’s not perfect. For a start, you have to wait for the second instalment. (Grr! I have no patience.) There are far more typos than you would expect from a major publishing house and this can be bothersome, but not overly so. Also, the start of the story is a little slow, but only for the first couple of chapters and then it’s full speed ahead!
Kell’s Legend is a rare book. It’s one of those reads that makes you sit up and slaver with excitement. It has the page-turning quality of a thriller, the depth of an epic, the kind of protagonist that comes round one in a lifetime, and a story that twists and turns like a snake. It’s imaginative, brilliant, exciting, amazing, and truly inspiring. Yeah, I really did fucking love this book!
The cliffhanger ending will leave you on the edge of your seat begging for the next instalment. This series has the potential to be truly legendary and I really can’t wait for the next chapter.
This review appeared in Morpheus Tales 8 Reviews Supplement:
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