BILLY LYNN’S HALFTIME WALK By Ben Fountain – Reviewed

On the cover it says this is the Catch 22 of the Iraq War, and it probably is. Ever since that seminal book was written every book on war that uses humour is compared to it. But Catch 22 is a classic for a reason, it’s an amazingly written book that twists and turns and makes a strange kind of sense, it encapsulates the danger, the struggle and the terror of being a soldier.

Does Billy Lynn’s story do the same? To a certain extent, yes, it does.

Billy Lynn and his squad are heroes. On a break from fighting after a much publicised mission, the military trots the soldiers across the country to drum up support. The book tells the story of their final stop, at a Dallas Cowboy’s game. Dealing with the stress of their last mission, recorded for all to see by a journalist, the loss of their comrades, meeting with the dignitaries and millionaires of the Cowboy’s management and fanship, trying to broker a deal with a Hollywood producer who wants to tell their story, coming to terms with heading back into a warzone, and falling in love, this isn’t just a story about war. It feels a little like a coming of age story for young (19 year old) Billy Lynn, and his story is quite incredible, as he joined the army after beating up his sister’s boyfriend who dumped her after a car crash.

Poignant, intelligent, well written, with humour, insight, and subtlety, this is a story of manhood, war, love, family and honour. A remarkable story, and yes, very probably the Catch 22 of the Iraq war. Touching and brilliant.

KILL THE DEAD By Richard Kadrey – Reviewed

It’s not often that a book comes along that excites me. It’s not often that anything excites me. In fact, it’s a very rare occasion that anything wakes me from the tortured stupor that is my day to day life. I read almost constantly to escape the dull oblivion that is my pitiful existence.

And then a book like this comes along…

James Stark (demon fighter and part-Angel celebrity) is dragged into LA’s zombie while being Lucifer’s bodyguard. And that’s barely scraping the surface of this story, but I don’t want to ruin the surprises in store for you.

This is the second book in the Sandman Slim series, and if I haven’t read the first book then go read it. Go now. What are you waiting? Go, just go. No, don’t read any further, get it now! Right now I tell you!

You could probably pick this book up and struggle along to catch up, but don’t. The first book is a hell of a story (literally), and there’s far too much you’ll have missed out on if you start the series with book two. Although this is pretty much a stand-alone story, this is very much the second part of a series, and there’s a ton of background (and it’s really fun background!) that you’ll miss out on if you skip the first book. Do not skip the first book! DO NOT!

Stark is a serious piece of work, an alcoholic, chain-smoking, demon assassin, murderer, kick-ass detective; just the kind of dude Lucifer wants as a bodyguard. Our hellish anti-hero is a brilliantly humorous, angry young man, killing vampires and zombies with witty asides, and inventive techniques.

Kadrey has produced an LA dripping with monster filth, which works so well. This is a city bound-up with demons and hellions, drowning in Sub-Rosa (magical families), and is an antidote to those good folks in the Harry Potter novels. These magicians would cook up Harry and his pals for breakfast and then shit them out as zombies. This is hardcore witchcraft, terror and death.

This book is demented genius. Kadrey raised the bar for urban fantasy with Sandman Slim, and the expectations were high for the second book in the series. Not only does Kadrey gives us another exciting episode, but he continues to explore one of the most fascinating and engaging narrators/creatures in modern genre literature.

Sandman Slim is dead. Long live Sandman Slim!

BLACK FEATHERS By Joseph D’Lacey – Reviewed

Printed with the kind permission of Morpheus Tales. This review will appear in the forthcoming (very soon!) Morpheus Tales Supplement!

Black Feathers is the first the first volume in the Black Dawn Duology. A story of an environmental apocalypse…

Gordon Black is born into a world that is starting to crumble. The very Earth is sick, its disease is humanity. Floods, solar flares, famine, financial crises, earthquakes, mudslides. The old saying that society is only 72 hours from falling apart is going to be tested.

The Black family can see what’s happening. They start saving tinned food, hoarding supplies, preparing for the worst. But they can’t prepare for The Ward (a multinational corporation, part police, part military, part government). The Ward takes control of a faltering nation. They “collect” people and their belongings, taking whatever they want or need. They are self-proclaimed saviours of humanity. Gordon’s family is collected and imprisoned by The Ward for hoarding supplies, but the teenage boy manages to escape with his life and sets off to find the mysterious figure called The Crowman: a figure that some say is Satan, and others say is the saviour. While The Ward chase Gordon down, he attempts to find The Crowman.

This is a story of discovery. Gordon and Megan Maurice (who also searches for The Crowman) set off into the wilderness to try to find answers although they don’t even know what questions they need answering. Both are at the mercy of a humanity shattered and broken, as well as rapists, murderers, liars, thieves. Both must discover the truth about the Earth, The Crowman, and what happened to the world.

D’Lacey paints a disturbing picture of the apocalypse, giving hints of the epic dangers and actions that took place, while focusing on the lives of our main characters and telling the story of these epic events through our protagonists. The horrors, instead of the numbing millions, are directly relatable to the terrors that both teenagers face. The human de-evolution due to the crisis is dangerously clear at every stage. Each new face they meet is a potential danger.

This first book sets up the scene nicely, gives us a lot of the background, and sets up a nice cliff-hanger ending that’s left me ready for more. D’Lacey gives us hints of the horrors of the apocalypse, making it a mystery for our protagonists to discover. The story is carefully laid out for the reader to interpret. This is intelligent and subtle, with life-threatening dangers on an individual scale, not an action-filled battle for Earth’s survival. Not yet at least; there may well be some of that in the second book in this duology (and from the author of MEAT, I’m really looking forward to that).

Black Feathers is an original and intelligent apocalypse story. It’s a myth-filled fable of the end of the world on an individual basis. It’s a coming-of-age story set on a cruel and broken Earth.

D’Lacey writes with a power and conviction that is scary. This could well be our future. Bring on volume two! Right now! I need to know what happens next!

www.angryrobotbooks.com

PYGMY By Chuck Palahniuk – Reviewed

Pygmy is a diminutive teenager from an unnamed totalitarian state, who arrives in the United States, with several of his comrades, to infiltrate and destroy the corrupt nation of America. Having been fully trained and brainwashed from a young age, Pygmy is an assassin and terrorist, who one family of Americans takes into their home.

Not really material for a comedy you may say, not exactly something that sounds like a social satire. But that’s exactly what this is. When Chuck isn’t poking fun at the totalitarians, he’s poking fun at the Americans. There’s also some teenage angst and hi-jinks involved.

Not only does Chuck provide a few laughs, but some brutality (made all the more disturbing by the humour), and some poignancy. This isn’t comedy or horror or sf, although it could claim to be any of those. This is literature, a marvellous mix of all of them, told stunningly well.

Despite the initial difficulty in getting into the first person prose (in broken English by Agent Number 67, otherwise known at Pygmy), you find yourself involved and urging him on, or not, as the case may be.

There has probably never been a funnier terrorist novel, and as Chuck goes where few writers have gone before – a Walmart toilet anyone? – he does it with style, substance and a light touch that makes it all worth while.

Reading, Controversy and Horror

Wow, I’ve just finished a marathon session reading The Kultby Shaun Jeffery, which is definitely one of the best books I’ve read this year. A brutal thriller. I felt exhausted after the finale, like I’d experienced it right alongside the protagonist.

The reading part of being a writer is going well! It took my only two days to polish offThe Kult. Before that I dug deep into my book pile and got out The Gobbler by Adrian Edmondson, which was pretty good. Comedic novels aren’t my favourite genre, but it’s good to have a laugh every now and then to relieve the horror and terror that are my usual entertainments.

Before that the Eyewitness Guide to Stockholm, which is a bit of a strange one, trying to take on all these facts and marking off almost everything in the book because I want to see it when I go visit with my girlfriend next month. Woohoo! A holiday! Desperately needed, I must say.

In between the reading I managed to write one story. It’s pretty raw still, needs major editing, but I think it’s pretty good. Bit controversial. It’s about a young teenage boy who kills his thirteen year old sister by accident when playing an erotic asphyxiation game. The fact that both of them are underage I consider a problem ethically. Normally I’d steer clear of anything underage, just because it makes me feel uncomfortable. But I felt the story needed something extra to make it more… horrifying.

And then I got to thinking about what makes a horror story. Some of them make us feel disgusted, some of them make us feel pain, hurt, horror, lonely, neglect, uncomfortable… Horror is such a limited categorisation in some ways. I think the point of all art is to make the reader/viewer feel. The works that have impacted most upon me: The Lord of The Rings, Star Wars, Dracula, are the ones which had the biggest emotional impact.

So, if a story makes you feel uncomfortable, if the point is for you not to enjoy it, does that mean it works? And does that make it legitimate? Or is it just best to steer clear of controversy?