Archive for the walking dead

THE DAY OF THE TRIFFIDS By John Wyndham – Reviewed

Posted in Reviews with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 28, 2019 by stanleyriiks

In my much younger days I watched the BBC dramatisation of this book. It gave me nightmares. I remember it to this day, many many years later. So I approached this novel with some trepidation.

The original, the book, is somewhat different to my memories of the mini-series though.

I think in my young mind it’s been partially merged with Arthur Dent in his dressing gown, but those deadly plants I remember far too well.

Bill Masen wakes up in hospital to silence. It’s strangely quiet. And while he waits for his blindfold to be removed after his operation he gradually becomes aware that things have changed overnight. The nurses are not at their stations, the hospital and outside are strangely quiet. When he heads out tentatively to investigate, his blindfold still in place, he realises that much of the rest of the hospital is blind too.

As Bill ventures outside he realises that the blindness is not restricted to the hospital, and that soon London will become an apocalyptic wasteland, run by gangs of criminals…

The Triffids, flesh eating man-sized plants that have a whip-like stinger are only part of his apocalyptic world. This is really the story of man’s descent when the world becomes blind overnight.

This is The Walking Dead but with killer plants instead of zombies, and set in 50s Britain.

I’m sure the TV series made more of the killer plants, in the book they are a mere part of the hysteria and menace of post-normal life. The Day of the Triffids is a classic SF apocalypse novel, and the precursor to virtually every post-apocalypse story ever since.

Tragic, quietly brilliant, and disturbing.

MARVEL ZOMBIES By Kirkman, Phillips, Suydam – Reviewed

Posted in Reviews with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 5, 2012 by stanleyriiks

I have a decent comic collection, but unlike books or films, they are a kind of take ‘em or leave ‘em thing for me. I’ll get into comic books for a few months, buy a load of graphic novels (stand-alone stories or mini-series are much preferable to the unending arcs of the regular issues), read most of them and then put them away in a box under the bed and not bother going to the comic shop for a few years.

I generally don’t read Marvel comics, I prefer my superheroes darker and more mature, like Batman and the Vertigo line. I like Frank Millar, Neil Gaiman, Grant Morrison, Warren Ellis and Garth Ennis. Traditional superheroes, like the Marvel characters, I prefer to watch now that films have surpassed the drawn page.

But Marvel Zombies intrigued me. The very idea is genius. Mix popular superheroes with zombies and see what happens.

This is not your average Marvel superhero story, and Marvel brought in none other than The Walking Dead’s Robert Kirkman to write it. The story seems to have already started when we enter the action, Magneto (normally a villain) is fighting for his life against the rest of the Marvel Universe who have been turned into zombies. They want to eat him. The Fantastic Four have been banished to an alternative dimension, and only The Black Panther (who is being held captive and slowly eaten) is available to stop the ravening hordes.

The Silver Surfer appears briefly, only to become more food.

Like The Walking Dead TV series (I’ve not read the comics), this is mostly about the character interactions and exploring (slightly) the zombie mythos.  It’s all fairly good stuff, nothing massively exciting, but it builds nicely towards a massive zombie battle and then, typical of comic books, leaves a nice cliff-hanger for the story to continue in the next episode (collected together in the appropriately titled Marvel Zombies 2) surprisingly enough.

The gruesome artwork and some quite shocking scenes beat out the weak story to make this book worthwhile. It’s the perfect introduction to horror comic books for those uninitiated and for fans of Marvel’s superheroes it is a stark and brutal reminder of the horror of zombies.

Good, but not great, the idea behind it is sheer genius. The execution is entertaining, and very dark, not what you would normally except from the house of ideas. Zombies rule, in the Marvel Universe too.

FLU By Wayne Simmons – Reviewed

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 4, 2011 by stanleyriiks

A few years ago zombie novels were like gold-dust. Now they’re ten a penny. Most are bog standard zombie rehashes, offering nothing new. The king of zombie fiction is Brian Keene, whose zombie novels create a sense of undeniable dread and looming, unstoppable danger. So the question is, does Simmons have anything to offer, and can be usurp the king?

Sadly the answer is both yes and no.

Flu is a post-apocalyptic zombie novel, focusing on the further spread of the disease which kills and then brings you back, and the few survivors in Belfast as they try to stay alive as long as possible, seeking out supplies, grouping together with other non-dead humans, and having to deal with the dead-fucks. The story uses sectarian issues and guilt, police, army and civilian survivors in a nice mix, which gives the book its edge.

This isn’t The Walking Dead rehashed in Belfast. Although there are clear homages to Romero’s trilogy and other zombie movies.

The story has some brutal and some disgusting moments, which help take it beyond the average, but what really put this book ahead of most of the rest is Simmons easy and efficient writing style (polished to within an inch of its life), and his characters, all of which suffer their own personal demons they have to battle along with the zombies. The humans really are the heroes of this novel, a tough sell, but one that works in this case.

The UK is bereft of zombie novels, the only decent one I can remember is the composite novel created by Stephen Jones and loads of others, Zombie Apocalypse, the exceptional London-based zombie novel told ingeniously in a series of documents.

While Flu isn’t an inventive as Jones’ effort, it still works very well and is a massively satisfying zombie novel that creates a dead world you want to explore further, and leaves enough questions for us to want to read the sequel, Fever, coming in the summer. And Flu definitely shows Simmons’ massive potential to become Great Britain’s crown prince of zombie fiction.

Not perfect, but a damn good try. Zombie fans will love it, horror fans will love it. Simmons writes like a demon, smooth and dangerous. Zombie fiction with an edge.